Friday, December 25, 2015

On Childhood's End... and such

I'm still working primarily on relocation. Please pray as led. A few more episodes are still expected in the serial decoding of, Back to the Future. The world is now pretty much on pause to celebrate the traditional festivities of the relabled Saturnalia and the sacred day of Janus, so I'll take this opportunity to write a little.

The Lord has been trending several themes with Aaron and I that generally pivot around the central theme of the pending reset of time. The magickal remaking of the world, persistent Nazi / Hitler, the exaltation of Osiris, Isis and Horus, the persistent role of ritual sodomy enlightenment and potent mind control manipulations ...

Re-print of Hitler's 'Mein Kampf' unleashes row in Germany

Barry Chamish: “On January 2, 2014 Jerome Corsi released his book Hunting Hitler: New Scientific Evidence That Hitler Escaped Nazi Germany on Amazon and I had him on my radio show to discuss his thesis that once again evil triumphs when utilizing stealth, resources and lots of money Adolph Hitler staged his suicide and lived a long life to its natural end in Argentina. To those who thought this was just another wacko conspiracy theory, almost two years later the History Channel released its multi-episode series Hunting Hitler, bringing this fringe thinking to the mainstream. Though it lifted the series title from Corsi's book, he received no credit. But he was acknowledged. I had to have him back on my show and it went splendidly.” Hear the radio show: "Hunting Hitler" on Radio Liberty - Barry Chamish Presents Jerome Corsi

Jim Wilhelmsen has had much to say on the subjects of Nazi science and time travel.

I read Arthur C. Clarke's novel, Childhood's End, in college as a student in their first ever sci-fi literature class. It is remarkable that this influential classic from 1953 has only recently been produced for multimedia broadcast. For three consecutive nights beginning on 12/14, it was broadcast on the SyFy Channel. You can still watch it online here: Childhood's End, on SyFy

When Aaron was inspired to read the novel in the summer of 2014 he logged several observations that prompted some very engaging discussions. One of the key elements of the book was so lightly addressed in the SyFy production that it deserves some attention here. If you're not familiar with the deep insights written about 2 Thessalonians 2, I invite you to become very familiar with this extremely important matter. In this lengthy study, The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride - Part 1), a critical strategy of Satan is revealed that will target the saints who are most resistant to His antichrist deception at the most critical time. A multimedia projection through time itself will be experienced with all the senses and even the engaging extrasensory perceptions through demonic enchantments. The show will target the religious, most generally, but most particularly the saints who are still walking in faith at the time when the lawless one is about to be revealed. The tip of the spear in that lying assault will be about the true Christ, the only begotten son of God's identity, nature and accomplishments. Most critically, the deception will focus on the ingathering harvest of the saints, bearing false witness that it has already passed. For all but a small number, a remnant Bride, it will destroy their faith in Y'shua and all hope of reward in resurrection. The way faith is destroyed through filtered images ported from the past into the present is suggested in the excerpt from the novel that follows.

“Profounder things had also passed. It was a completely secular age. Of the faiths that had existed before the coming of the Overlords, only a form of purified Buddhism— perhaps the most austere of all religions— still survived. The creeds that had been based upon miracles and revelations had collapsed utterly. With the rise of education, they had already been slowly dissolving, but for a while the Overlords had taken no sides in the matter. Though Karellen was often asked to express his views on religion, all that he would say was that a man’s beliefs were his own affair, so long as they did not interfere with the liberty of others. Perhaps the old faiths would have lingered for generations yet, had it not been for human curiosity.

It was known that the Overlords had access to the past, and more than once historians had appealed to Karellen to settle some ancient controversy. It may have been that he had grown tired of such questions, but it is more likely that he knew perfectly well what the outcome of his generosity would be….

The instrument he handed over on permanent loan to the World History Foundation was nothing more than a television receiver with an elaborate set of controls for determining co-ordinates in time and space. It must have been linked somehow to a far more complex machine, operating on principles that no one could imagine, aboard Karellen’s ship. One had merely to adjust the controls, and a window into the past was opened up. Almost the whole of human history for the past five thousand years became accessible in an instant.

Earlier than that the machine would not go, and there were baffling blanks all down the ages. They might have had some natural cause, or they might be due to deliberate censorship by the Overlords. Though it had always been obvious to any rational mind that all the world’s religious writings could not be true, the shock was nevertheless profound. Here was a revelation which no one could doubt or deny: here, seen by some unknown magic of Overlord science, were the true beginnings of all the world’s great faiths.

Most of them were noble and inspiring— but that was not enough. Within a few days, all mankind’s multitudinous messiahs had lost their divinity. Beneath the fierce and passionless light of truth, faiths that had sustained millions for twice a thousand years vanished like morning dew. All the good and all the evil they had wrought were swept suddenly into the past, and could touch the minds of men no more.

Humanity had lost its ancient gods: now it was old enough to have no need for new ones. ”


Childhood's End - pp. 66-67


The alien being, Karellen, who is the supervising Overlord, looks like every familiar picture of the Devil. He comes to Earth as a savior and steals the children of the world, along with chosen pairs of animals, to reseed another place. It's a Noah's Flood and ark kind of scenario, of the sort I've written plenty about over the course of the past 8 years (beginning in the series decoding the signs witnessed during the 2008 Olympics in Beijing). Karellen is a devil and antichrist personification. He will manifest as it says in the Bible, which is allegorically dramatized in Childhood's End.

8 Then that lawless one will be revealed whom the Lord will slay with the breath of His mouth and bring to an end by the appearance of His coming; 9 that is, the one whose coming is in accord with the activity of Satan, with all power and signs and false wonders, 10 and with all the deception of wickedness for those who perish, because they did not receive the love of the truth so as to be saved. 11 For this reason God will send upon them a deluding influence so that they will believe what is false, 12 in order that they all may be judged who did not believe the truth, but took pleasure in wickedness. ~ 2 Thessalonians 2:8-12

4 they worshiped the dragon because he gave his authority to the beast; and they worshiped the beast, saying, “Who is like the beast, and who is able to wage war with him?”
Revelation 13:4
~


I note that the peculiar name, Karellen, appears to be an anagram. RANKLE EL. An El, is a god. Elohim = gods. When you use a thesaurus to find synonyms of, rankle, words like, devil, devilment, devilry and deviltry appear in the lists. The word is linked to the Latin, dracunculus, for little serpent and dragon. Karellen, is a strange but fitting name for the character as the anagram for RANKLE EL.

Arther C. Clarke. AC. Antichrist. He was illuminated, and was known to practice according to the usual ways of the illumined.

'Paedophile' Arthur C Clarke, a prince of sci-fi

“Child right activists in Sri Lanka have expressed shock over science fiction writer Arthur C Clarke's confession in a newspaper interview of a life of paedophilia and called for his deportation just around the time Prince Charles was to knight him.”
“I am trying to think of the youngest boy I have ever had because, of course, you can't tell it here. I think most of the damage comes from the fuss made by hysterical parents afterwards. If the kids don't mind, fair enough,'” he was reported to have said in the interview which was conducted at his house.


On a related note: "An Open Secret" - Child sex abuse 'an open secret' in Hollywood

Monday, December 14, 2015

The Christmas Season

If you're not already very familiar with this study titled, The Story of Christmas that Should be Told, I invite you to become familiar with it so that you understand how the tidings of great joy that attended our saviour's birth came like a double edged sword. There is an accountability for the gifts and blessings of God that can not be discounted. Mercy endures and abounds, and for that I am so very grateful, but mercy is certainly not a blanket dismissal of accountability for sin.

From everyone who has been given much, much will be demanded; and from the one who has been entrusted with much, much more will be asked. ~ Luke 12:48(b)

During the Christmas season, the sights and sounds that we're unavoidably confronted with bring many of us to reflect on our childhoods, on memories of family gatherings and traditions. Whether the memories being prompted bring joy, pain, or a bittersweet mixture, it is the mark of a mature and well grounded saint to be found walking in the way of the apostle Paul.

3 For walking in flesh, we do not wage war according to flesh. 4 For the weapons of our warfare are not fleshly, but divinely powerful toward the demolition of strongholds, 5 overthrowing arguments, and every high thing lifting itself up against the knowledge of God, and taking captive every thought into the obedience of Christ, ~ 2 Corinthians 10:3-5 (Berean Literal Bible)

I encourage you to read the context of that passage and take it to heart. In this season, perhaps as never before, spiritual battles are being lost due to the failure to gain and maintain the discipline of obedience. To allow sentimentality or the ease of complying with the expectations of others to determine what we think and do about these Pagan holidays represents a failure. It's as clear a sign of idolatry in our hearts that there can be.

Do you know when my Lord Y'shua was born? Consider When Jesus was Born - The Celestial Signs. Are you informed about the worship of Saturn and Janus, and what that looks like on the calendar?

Israel's past failures as the chosen people have not always been that they didn't actively worship God, but that they also worshiped idols. His is not “an inclusive religion” and He truly demands a relationship that is quite exclusive. So it is with the church of the living God. The tolerance and inclusivity that are so highly acclaimed in the modern western culture are an abomination. According to the Author of the Bible, worshiping the one true God and idols amounts to the same as just worshiping idols. He forbids the mixture of the holy and the profane.

The definition of, syncretism, is the amalgamation or attempted amalgamation of different religions, cultures, or schools of thought. Look at what Christmas is, and Easter also. If you have bought into the idea that God can truly be honored in the context of a celebration of Christmas or Easter, you, dear saint, have been snookered. The holy spirit does not lead the saints to shroud biblical truths in Pagan traditions. Whatever truth might be set in the midst of these Pagan rituals doesn't cleanse the profane, it profanes the clean. What characterizes Mystery Babylon is the mixture of the holy and profane. This insight is so precious because it is so rare. Seek Him for it and find His good pleasure while it may yet be found.

The saints who aspire to be found as the Bridegroom's pure and spotless Bride hear His wooing and solemn warning to, “Come out of her, my people” - and so they do. My God is a jealous God.

Friday, December 11, 2015

Relocation Status Update

Hi everybody. Thanks for all the encouraging support! I'm following through, exploring options, and it seems likely that I'll be remaining local to the Pittsburgh area. For Aaron and I to work side by side has been really beneficial, and I believe that this continues to be part of the Lord's provision.

Here's a few items of interest.

CDC scientists held meeting to destroy autism-vaccine documents, reveals CDC whistleblower

Zero to Expert in Eight Hours: These Robots Can Learn For Themselves

Researchers unveiled a biologically powered chimera computer chip: "For the first time, scientist have developed an electronic chip made of both biological and solid-state components. It could lead to a new generation of 'cyborg' chips blending senses such as taste or smell with traditional electronic components."


Scientists have found a new strain of bacteria that is resistant to all antibiotics

The potential impact of a super bug plague is huge. Yet, there's no need to fear. The prophecies of the Bible are as sure as the Author is faithful. And, He is faithful!

21 For then there will be a great tribulation, such as has not occurred since the beginning of the world until now, nor ever will. 22 Unless those days had been cut short, no life would have been saved; but for the sake of the elect those days will be cut short. ~ Matthew 24:21-22

It's not for the sake of the elect, as benefiting them. The elect are going to be the benefactors. Because of, on account of the elect, as a result of their agency. The translation of the Greek allows for those renderings just as readily as what's found in common translation. The reason why common versions don't ever translate it to show the elect as the benefactors is because it runs counter to traditional theological interpretations. How does the Lord conceal things in the Word? How does He reveal things, when He wants, and to whom He wants? In any way it pleases Him to do so.

Let me encourage you to spend more dedicated time in prayer, passionately seeking the Lord's good pleasure about the issues of your personal life, and making petition on behalf of the Bride, and also the 144k sons of Israel. These aren't nebulous concepts, but people with names, personalities, and serious need for the Lord's personal attention, for real help in this time of need. The Lord continues a work of refining us, of bringing forth sincere and enduring love, faith and hope.

Blessings in Y'shua!

Bob (and Aaron)

Sunday, December 06, 2015

It's Time for Bob to Relocate

Hi everybody. This post is a personal notice and request.

Since September of 2012, I've been living with Aaron Hermann in the family home in Pittsburgh. His Dad has been my benefactor, and this situation has been the Lord's kind provision for me. The time has come for me to move on. Nothing has changed in the relationship between Aaron and myself, we're still very committed partners in the work of The Open Scroll. It's for the sake of his Dad, who has shouldered the burden of support for far longer than any of us expected. He has been exceeding generous in accomodating me, and with retirement and relocation on his mind I'm really looking forward to easing his buden.

I find myself in a situation like back in 2012, when my savings had very nearly run out and I had no idea where I would go after leaving the apartment I had been leasing. As before, the time has come to relocate and with available funds my options are few. Even if I sell my car to raise living expenses, without more help it is obvious that I'll be out on the street before long. As to what provision the Lord intends for me with regard to housing, I really don't know. For the 4th time since moving to Pittsburgh, I've given serious consideration to becoming a wage earner again, which would simplify the matter, but the Lord has directed me to be content with ministering as I have, and to be encouraged with faith in that, as the need is changing, that He will provide in this season as before.

When I shared about my need back in April, I was blessed to see a substantial increase in the number of and level of donations in support of this ministry. My appeal was met with such a wonderfully encouraging response. At that time, I updated a study which addresses the key biblical principles touching on the subject of provision for the Lord's ministers: Entering into the Freedom of Giving and Receiving

Thanks so much to every one of you who prays for or supports this work in whatever way you do. The Lord sees and does not forget, who greatly rewards what is done in loving obedience for His sake.

So, here's my appeal. Please join Aaron and I in prayer about finding the Lord's provision, first and foremost. If you are feeling led by the Lord to sponsor the work of The Open Scroll and help us in this time of need, I invite you to do so as the Lord may lead. I'm quite willing to relocate, if housing is offered elsewhere. I have a car, and furnishings for a room, and don't have need for very much additional storage space.

Regardless of what the outcome is going to be for me, in this weird season pending the time reset, it has been a huge honor and privilege for me, and Aaron with me, to be able to serve you. God is so good to us!

Blessings in Y'shua!

Bob

Saturday, December 05, 2015

Back to the Future - Neo-Nazi Racism and Dark Secrets Encoded in the Time and Speed

The latest video in a series has just been published, and this represents a milestone in the work.

This 6th installment builds off the previous one where secretive expressions of Nazi sciences were introduced. The plain evidence of Neo-Nazi racist sentiment is expressed in Back to the Future. The revelation of the bold and redundantly embedded Neo-Nazi White Supremacy code is striking! It's embedded in the pair of elements that are the combined key to sending Marty back to the future, the time of 10:04 pm and the speed of 88 miles per hour. We begin this installment with another Nazi characterization that demonstrates neo-Nazi symphathies. We offer several examples that expose the very disturbing reality at the core of this film trilogy, and close with some commentary, offering a mature perspective on what should raise some serious questions.

Here's a full 1080i HD version: Part 6 - What is Back to the Future Really About? Neo-Nazi Racism and Dark Secrets Encoded in the Time and Speed

(If that one won't play well, wait a few minutes and try again, or try this low-res (640 x 480) version.)

Due to content blocking, the video is not available on our YouTube channel.

Here's where you can find the rest of the series: Playlist for What is Back to the Future Really About?



Tuesday, December 01, 2015

The Flash's Subversive Agenda, Justice League, The Hateful Eight, etc.

A couple of themes that have been trending have made some more media productions worth noting.

Quentin Tarantino’s new film is called, “The Hateful Eight.” H8 (hate) is Neo-Nazi code. The film title is Neo Nazi Code. 88 ~ HH ~ “Heil Hitler”

Gods of Egypt - Trailer

Olympus - A Legend Will Rise - on Amazon - Wow! Rich.

Justice League: The Flashpoint Paradox (2013) [This cartoon animation is NOT recommended for viewing due to disturbing graphic violence]
The Flash causes a temporal ripple that creates a fractured reality where the Justice League has never formed, Superman does not exist and a war rages between Wonder Woman and Aquaman. Flash teams with Batman and Cyborg to restore the timeline.


The Flash on The CW continues to hold our interest. S1 Ep 15 is where the timeline was skewed. The skewed timeline continues on in the series, as in reality. So you understand the fundamentals of their particular spin, here's insight into the imagery that advances a subversive agenda. “The CW” is Code 33 and Code 66, for a foundation.


The lightning sigil is a modified Nazi SS rune. One is overlaid on the other. Nazi Science - übermensche with powers like unto Odin and Thor. The winged helmet motif touches on the Wagnerian magical helmet, the Tarnhelm. The attention given to Captain Cold and Heat Wave smacks of the Ice and Fire of Horbiger's Welteislehre cosmogeny. The winged helmet and his speed are also identifying The Flash as Mercury, the fleet messenger of the gods and psychopomp, master of traversing dimensional boundaries. The lightning sigil highlighting the letters L and A in The Flash title calls out their combined values. 12+1=13 ~ the mastery of time and space-time. The Flash demonstrates just that very ability.

It's entirely Occult. As is customary, the themes are woven tightly together and the sodomite gateway sex magic is fundamental.

Barry Allen: Secret sodomite identity: Bury Alan-anal
Barry's beloved girl, Iris West. Secret sodomite identity: The “brown eye” which is slang for the anus aka the Eye of Horus, because Iris (eye) is brown. “The iris is a thin, circular structure in the eye, responsible for controlling the diameter and size of the pupil and thus the amount of light reaching the retina.” Think, sphincter. Why West, as in, Iris West? To "Go West" is to take the left hand path. It's the path of the sun, their sun god. It is a metaphor for changing the sexual orientation to the perverse and rebellious, moving in the direction from heterosexual to homosexual. In the vintage cartoon, Bimbo's Initiation, Going West is what is pictured when Bimbo visualizes the members of the fraternal order as Betty Boop clones. (Village People - Go West OFFICIAL Music Video 1979)

7 Ways ‘The Flash’ Challenges Traditional Masculinity (MTV News)


Ritual sodomy is the real and ancient means of acquiring superhuman powers, with the energetic flashes of white light being produced in the brain during initiation into the ranks of the illumined. This is why Cisco / Ramone continues to act more and more like a little girl. The time travel power Flash has will make sense if you understand Rocky Horror Picture Show as an initiation ritual. What it means to “Do the Time Warp” is to enter the trance state for mind-control programming as a result of ritual sodomy. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.

On that subject, that same theme pervades Back to the Future, and it's also leveraged in, The Lake House, with Keanu Reeves and Sandra Bullock, which I mentioned recently. The mail box as “male box” is the time portal device. “But it's the pelvic thrust... That really drives you insane. Let's do the Time Warp again.” The isolating glass house is a metaphor for the mind control slave's core inside the programming structure of multiple identities. The dog as psychopomp.




DICAPRIO RAPED BY BEAR IN FOX MOVIE
“TUE DEC 01 11:01:02 2015 ET

The new movie 'REVENANT' features a shocking scene of a wild bear raping Leo DiCaprio!

The explicit moment from Oscar winning director Alejandro Inarritu has caused maximum controversy in early screenings. Some in the audience escaped to the exits when the Wolf of Wall Street met the Grizzly of Yellowstone.

The story of rural survivalism and revenge reaches new violent levels for a mainstream film.

The bear flips Leo over and thrusts and thrusts during the explicit mauling.

"He is raped -- twice!"

Not to be outdone, DiCaprio rips open a horse and sleeps naked in its carcass!

For director Inarritu, 'BIRDMAN' was just the appetizer.

FOX has given the movie an award-qualifying release on Christmas Day.

Developing...”

By the way, in LGBT lingo, a bear is a hairy homosexual man. That's what's being signaled in the esoteric layer.

Sunday, November 29, 2015

Our Reality as Trance State, CERN, The Man in the High Castle, SHIELD-HYDRA Code 88

There haven't been many posts lately but we haven't been idle. Aside from the impact of having struggled with a persistent cold, the intensity of the work in progress hasn't diminished. The Lord continues to sustain us in this season and grant us such amazing favor. He is so good to us!

I've been mostly focused on the video series production and the research behind it. The next one planned, the 6th installment, is a work that exposes a striking undercurrent of neo-Nazi sentiment and offers insight and perspective on the Nazi theme introduced in part 5. Aaron has continued making progress with his coursework in biblical Greek. We continue to be advanced down the parallel tracks of character development and education in His curriculum in the how, what, why and when of things.

We do watch what's being reported as news and what other things are trending. Here's a sampling of some of the interesting bits that have crossed our desks recently.

LHC collides ions at new record energy - The lead ion collisions represent a huge increase in energy. 26+ TeV?
LEAD DEVELOPER OF HPV VACCINES COMES CLEAN, WARNS PARENTS & YOUNG GIRLS IT’S ALL A GIANT DEADLY SCAM
Strange Science: Physicists Find Classic Formula for Pi Hiding in Quantum Mechanics
Quantum Computer Coding in Silicon Now Possible
Plane Said to Vanish, Reappear 10 Minutes Later: Time Slip?
Israeli Teen Returns from 15 Minutes of Clinical Death with Spiritual Messages Concerning the Coming Redemption
Iran Guard simulates capture of Al Aqsa Mosque - Nov 21, 4:47 AM (ET) - By ALI AKBAR DAREINI

The Adele phenomenon - a spell that is, oddly enough, dramatized by SNL. While the skit is comedic, the reality of what's being expressed is not at all funny.
A Thanksgiving Miracle - SNL (Adele)

The Huntsman: Winter's War - Official Trailer (HD)

David Bowie - Black Star [This more than a little disturbing song and music video are NOT recommended for viewing - repeat NOT]
Interesting anagrams from lyrics:
"villa of Ormen" = formalin love {formalin is formaldehyde, used for embalming. Think, Anubis.]
"the villa of Ormen" = evil manhole fort, homo tavern fille, hellfire tav moon



A couple of themes that have been trending with us have made some media productions worth noting.

The Man in the High Castle - a special dramatic series on Amazon, based on the novel by Phillip K. Dick. The themes of the man in the high castle and the grasshopper lies heavy evoke Ecclesiastes 12:5 - a very relevant chapter. Occasional instances signaling Code 88 are embedded in several episodes. The 88 in common neo-Nazi code leverages the H as the 8th letter to signal, Heil Hitler.

The controversial "news reels" suggest those McGuffins are artifacts documenting another timeline, one that seems to have been hijacked by the Axis powers of WWII. The man in the High Castle suggests someone with a space-time ark who transcends the skewed timeline.

These subjects are so pertinent and resonate so strongly with us in this season of the expanding “Mandela Effect,” as we await the time when the Lord will reset time and restore the prophetic biblical reality. With some flip and spin, the value assigned to the threat posed by the reels speaks very loudly of the great hoax that is the subject of 2 Thessalonians 2. The Lying Report - A Supernatural Multimedia Hoax (The Sign for the Bride)


Marvel's Agents of SHIELD series on ABC is once more a compelling watch as they are starting to move the Occult plot forward, spilling the beans on the trending theme of Nazi and ancient sciences of dimensional breaching. HYDRA derives from NAZI connections, and we have just been told the roots of the organization go way further back in history.

The images sequenced by the brilliant SHIELD scientist, Fritz, shows one that compares very closely to the HYDRA logo, and we note that it features an embedding of 88. Code 88. The expanded meaning of that number is expected to be explored in upcoming installments in our ongoing video series.


The connections of interest involve the ancient HYDRA quest to be able to control the black stone monolith, which is a space-time portal. SHIELD has already demonstrated that ability. While the organizations of SHIELD and HYDRA are always in conflict, that dynamic is dramatizing what's found in real life, a working toward the same goal using two opposing forces. It's like how control over the flow and path of a river is exercised, which requires control of both banks. The evil Devil employs this means, (and all the SHIELD characters are false god and goddess characterizations i.e. Agent Coulson as AntiChrist), and so does the Sovereign God, Creator of all and the one who is truly good.


The Librarians and Heroes Reborn episodes remain pertinent, as we remain alert and watchful and see the world carrying on as if nearly everyone is increasingly in a trance or dissociative state.


This item just came in. Thanks Erin. Code 47 - and yes, it's legit.

Saturday, November 28, 2015

Back to the Future - Project Bluebird and Nazi Science, Doc Brown as Dr Mengele and Die Glocke


The 5th video in a series has just been published.

Here's a full 1080i HD version: Part 5 HD - What is Back to the Future Really About? Project Bluebird and Nazi Science, Doc Brown as Dr Mengele and Die Glocke

(If that one won't play well, try this low-res (640 x 480) version.)

Due to content blocking, the video is not available on our YouTube channel. I put up a placeholder video on YouTube for use in this playlist. Plalylist for What is Back to the Future Really About?

This 5th installment provides a foundation for the very significant next one in series.

This installment explores the following:
  • The story behind the starting line at the Bluebird Motel
  • Doc Brown's secret identity as Dr Josef Mengele, and in his post-war alias as Dr Green, Illuminati programmer
  • The signaling of the ideology of Nazi science, the doctrine of Eternal Ice
  • How the DeLorean and the Clock Tower model the Nazi Bell, Die Glocke

Tuesday, November 17, 2015

Commentary and Catching up

As we continue to watch according to the Lord's command what we see just boggles the mind.

What has been dominating the news media has to do with the recent slaughter in Paris. I doubt that everything going on there is what it is claimed to be, knowing full well how the media spins events that are often designed by a powerful few who take action in the shadows to manipulate our perceptions and behavior.

We note that the slaughter has the look of a mass ritual sacrifice. It took place on Friday the 13th. Every Friday the 13th is an occasion for ritual sacrifice to the gods served by the illumined elite. We note that recent episodes of Heroes Reborn on NBC revolved around a world changing mass murder that happened on a June 13. (If you watch it and you have been attentive to this blog for a while, you'll find “June 13 Part 1” and “June 13 Part 2”, and “Sundae Bloody Sunday” to be of significant interest ) Like Friday the 13th, June 13th is a slightly obfuscated connection of the numbers 6 and 13. That combination has to do with the goddess and judgment, as I've noted previously on the blog. The Lord made a point to me about that with an undeniable sign.

So, judgment and the goddess. Isis, is the organization seen as responsible for the slaughter. Isis is one of the most familiar identities of the goddess. Islam's Allah is a moon god. The moon is strongly linked to the female and goddess - “menstrual” has to do with the lunar cycle. The city of Paris takes its name from the legend known as The Judgment of Paris. It has to do with a banquet held by Zeus, Eris, the goddess of discontentment, a golden apple and a beauty contest. The human, Paris, had to judge between the goddesses, Hera, Athena and Aphrodite. Six and Thirteen. Judgment and the goddess. Slaughter on Friday the 13th. The famous Trojan War was triggered by the result of this contest. There was a blood bath, as the Trojan Horse ploy was used to breach the defenses of Troy.

Paris, France. It's the home of Notre-Dame de Paris, Our Lady of Paris, which is widely known more simply as, Notre Dame. The city and region features many shrines to the goddess, like Our Lady of the Medal. The national symbol of the French Republic is the goddess known as Marianne, who is featured in Eugène Delacroix's familiar painting titled, Liberty Leading the People.

The color of the goddess is blood red, and it is she who inspires violent rebellion. Was the slaughter a mass ritual? We can't see it any other way.


We wanted to share a few items that have our attention. In addition to the earlier mentioned, Heroes Reborn...

The Librarians on TNT
See EPISODE 4 “And the Cost of Education” (Stopping time - Science+Magic...) and the finale of season 1, which has been commented on in this blog. This show is kind of a Warehouse 13 on steroids.

Arrow on The CW - “Haunted”
This episode really stands apart.

The Flash on The CW continues to dance all over some very interesting interdimensional space-time precepts while signaling the usual Occult themes.

Official Trailer for, Alice Through the Looking Glass

If The Hunger Games, Mockingjay Part 2 is the equivalent of its predecessors, it should have plenty of interest.

On the lines of Back to the Future. Buckaroo Bonsai. Tip: Bring plenty of crackers for all that “cheese.”

Monday, November 16, 2015

The Sound of Music - A Classic OF ILLUMINATI MIND CONTROL

The Sound of Music -This popular film from 1965 is widely regarded as a standard of fine G rated family entertainment. Truth be told, there's a very dark side to it. Here's a scene that seems pretty comical - until you begin to interpret the Occult symbolism and recognize what's really going on, and then it's not funny at all.

The Dark Side of The Sound of Music - Pinecone-Pineal Illumination

When joining the family for their first meal together, Maria sits on a pinecone the children had placed on her chair. That act pictures the activation of the pineal gland, and the dialog and action of the scene affirms that this is an illumination ritual, according to the way of Illuminati mind control programming.

Update: Note - This is not on YouTube because "content owner" FOX took it down. "Fair Use" is not high on their agenda.

Thursday, November 12, 2015

Back to the Future - Marty, The Goddess of Love and Illuminati Initiation

Another installment in the series has just been published to our YouTube account. The depth of the Occult layering in this classic film trilogy is stunning. It reminds me us Rango, which I was led to write about during an amazingly productive season. Oh, it is so good to see what we're looking at! Thank you Lord Y'shua!

Even during this Bizarro World season, the Lord continues doing a refined and refining work, setting His people free to serve Him in Truth, with genuine love that endures!

What is "Back to the Future" Really About? Part 4 - Marty, The Goddess of Love and Illuminati Initiation



In this fourth installment in the series, we begin with an illustration of more secret idientities, exposing how the ancient celestial goddess of love is identified and exalted in unexpected ways.

This exposé pivots around the "Save the Clock Tower" scene of Marty's original 1985's timeline, when he's romancing his girlfriend on the park bench. The focus is on Illuminati illumination ritual and the opening of the third eye.

More examples of the cleverly hidden 88 appear, and we're leading up to the illustration of why it is that this number signal is so important.

Thursday, November 05, 2015

Back to the Future -The Sands of Time, and Marty Trips the Light Fantastic

In this third installment in the video series, we begin with some illustrations of how the filmmakers use sand as a metaphor for time. Then, we decode the Mr Sandman sequence that exposes a masterful weaving together of the major themes.

We discover some important connections made by the filmmakers to to the classic MGM musical, Singin' in the Rain, from 1952. In both Back to the Future and in Singin' in the Rain, references to the Vatican Courtyard are made, and also to Chaucer's ribald classic, The Miller's Tale, from The Canterbury Tales.

Here's the playlist with this link pointing to Part 3, the one just published. What is "Back to the Future" Really About? Part 3 - Mr. Sandman



Three primary layers of symbolism are:
  1. space-time and its mastery, with special attention given to transits
  2. trauma-based mind control of the SRA DID kind that involves ritual abuse and sodomy.
  3. the legendary conflict between Chronus and Zeus


Part 1 - Marty and Doc Brown have secret space-time names.
Also decoded, the title graphic and promotional posters.

Part 2 - Doc Brown's Secret Identity and Howdy Doody Time
Includes decoding of related clips from Wreck-It Ralph and Rango.

Part 3 - The Sands of Time, and Marty Trips the Light Fantastic
Decodes the sands of time metaphor. Exposes how a nod is given to Singin' in the Rain (1952). Demonstrates how these films allude to and derive from The Millers Tale from The Canterbury Tales, by Chaucer, and the setting of the Vatican Courtyard.

Friday, October 30, 2015

What is "Back To The Future" Really About?

To know what "Back to the Future" is really about on a deeper level, it helps if you can interpret the symbols and grasp the reasons why they appear. Most see it as just a fun film series about time travel but there's a dark side. You may be shocked to learn what has been hidden so expertly in these films!


Three primary layers of symbolism are:
One: Space-time and its mastery, with special attention given to transits.
Two: Trauma-based mind control of the SRA DID kind that involves ritual abuse and sodomy.
Three: The legendary conflict between Chronus and Zeus.

Two videos have already been produced for this new series. The playlist below begins with them and also includes two others that are very relevant.

Part 1 - Marty and Doc Brown have secret space-time names.
Also decoded, the title graphic and promotional posters.

Part 2 - Doc Brown's Secret Identity and Howdy Doody Time
Includes decoding of related clips from Wreck-It Ralph and Rango.

Playlist: What is "Back To The Future" Really About?

Tuesday, October 27, 2015

The Hallmark Brand: Part 7 - On Twelves and Thirteens - Signs of Time and its Mastery

The Hallmark brand is known for greeting cards and a family oriented cable channel. Their brand identity symbolizes the authority of royalty, riches and purity, overtly, but the Occult symbolism speaks rather of extreme impurity, in a spiritual sense, and the authority of demonic authorities. It has to do with the mastery of space time, the exaltation of the antichrist beast and the mark of the beast.

The positioning of the crown gives special attention to the letters L and M. Like I illustrated previously with the L&M brand of cigarettes, the 12th and 13th letters signal time and the mastery of time and space-time. The crown is worn by royalty, who have the authority to rule over a particular domain. Sometimes the positioning favors the letter M slightly, but the symbolism remains the same.

H = 8
A = 1
L = 12
L = 12
M = 13
A = 1
R = 18
K = 11

HALLMARK = 76
7+6 = 13 The Mastery of Time

With the crowned L and M making reference to space-time and its mastery, I see the letters that follow, ark, as calling attention to a space-time ark. It's like Stark Tower in The Avengers. ST-ark or Space-Time Ark.

A study of the design of the crown reveals the encoding of cross circle imagery. The points cross through the band that would encircle a head. The sides of each point cross through a circular tip. The cross circle signals space-time and also represents the mark of the beast.

The form around the crown suggests waves of water, like a wave glyph, and with water as time it is a time symbol. As a crown, it signals the authority over or mastery of time.

The style of the crown also embeds a series of letters, W. This signals the form of the bent elbow goddess Inanna or Ishtar. She is the Queen of Heaven, aka Isis, Stella Maris, Venus, the Blessed Virgin Mary, etc. The 5 point star with a circle suggests the pattern traced out in the heavens by the planet Venus in connection with the earth and the golden sun. The Hallmark Channel programming strongly promotes and exalts the goddess, and the associated spirit of Jezebel.

Hall Mark. The H is highly stylized. H is for Horus. Horus + All + Mark. Horus is an Antichrist Beast identity. Horus-All-Mark with the mark of the beast.

The letter H is a reclined version of the Cross of Lorraine. Such a cross was carried in the Crusades by the original Knights Templar. Their use of it was authorized by the Patriarch of Jerusalem. Knights Templar is usually understood as the Knights of the Temple. The Temple of Solomon is indicated, of course. That's the Temple at the center of time, with reference to David Flynn's work. The word temple and the word temporal are related. The Hallmark brand's use of the obfuscated Cross of Lorraine in asserting their identity as masters of space and time is potent theurgic magick. Another name for the cross is the Double Cross, which makes reference to the act of betrayal.

A hallmark is a mark indicating quality or excellence. The hallmark is the authorized mark stamped on gold, silver, and platinum articles to indicate that the standards of purity are met. These usually indicate where, when, or by whom the articles were made or assayed.

The golden crown of the Hallmark brand speaks to me of the ancient celestial stargates, with the hallmark appearing on articles of these precious metals.

Some observations gleaned from Wikipedia: The Cross of Lorraine was originally a heraldic cross, used by the Dukes of Lorraine. (Heraldic ~ Logo) René d’Anjou (also Duke of Lorraine 1431–1453) "was a major transmitter of the Hermetic tradition in Italy and had the cross of Lorraine as his personal sigil". This cross is related to the Crusader's cross, and the six globes of the Medici family. French Jesuit missionaries and settlers to the New World carried the Cross of Lorraine c. 1750–1810. The symbol was said to have helped the missionaries to convert the native peoples they encountered, because the two-armed cross resembled existing local imagery.

Also, the cross is used as the symbol of the fascist Norsefire party in the film version of the graphic novel, V for Vendetta. (Derived from the work of warlock Alan Moore, a practicioner of Chaos Magick.)

Tracy Twyman (Clock Shavings) chose the Cross of Lorraine to represent the faux-OTO magical order she instituted.


Part 1 - On Twelves and Thirteens - Signs of Time and its Mastery
Part 2 - On Twelves and Thirteens - Signs of Time and its Mastery
Part 3 - On Twelves and Thirteens - Signs of Time and its Mastery
Part 4 - On Twelves and Thirteens - Signs of Time and its Mastery
Part 5 - On Twelves and Thirteens - Signs of Time and its Mastery
Vintage Ads for L&M Cigarettes: Part 6 - On Twelves and Thirteens - Signs of Time and its Mastery

Tuesday, October 20, 2015

Back to the Future Day


Tomorrow is Back to the Future Day. October 21, 2015 was featured in the popular film trilogy. The series is full of plot holes and is pretty campy, but there are some redeeming qualities. Aaron and I just watched all three in sequence. What's primarily got our attention is how our present situation is modeled in part II, where we find ourselves with an awareness that things are not as they should be. The fix involves using the time machine to return far enough into the past to prevent the events that skew this present reality.


I made this video of Doc Brown explaining the situation to Marty McFly, adding some of my own commentary.

Back to the Future II - Doc Brown explains how to fix the present reality



Note the raining during the presentation - water as time. Attention is given to newspapers in examples of Code N.E.W.S. NEWS is an acronym for the cardinal directions, North East West South. It's used as an Occult signaling of space-time and it has to do with the manipulation of time.


In Back to the Future II, Marty and Doc Brown have returned to 1985 from a visit to the year 2015 to find their world having changed for the worse. Somehow, evil Biff has ruined things. Doc Brown figures out how it happened and explains to Mary what has to be done. Even though there are important differences between their situation and ours, there are valid comparisons to be made. It is at least interesting how 2015 is involved in their timeline manipulation plot. CERN's LHC activity is going beyond where it ever has before, and expectations are high for dimensional barriers to be punched through.


These films are obviously all about the manipulation of space-time through time travel, but they have lots of kinds of signaling you might recognize, like cross circles, a 66 in the sky, Gemini and other imagery of transiting the celestial silver gate, lots of ritual sodomy and Illuminati mind control sequences, etc. You can see the suggestion of ritual sodomy illumination in the poster for BTTF II. Marty is his slave. Brown ~ excrement. Fritz Springmeier has identified certain Doctors with color names as Illuminati programmers, for example, Dr. Green being Dr. Josef Mengele. The columns or pillars are used in Illuminati programming for Time Travel Programming.

What Doc Brown is diagramming on the black board is similar to what the Lord led me to diagram with Aaron on the whiteboard beginning in April of 2015. It has to do with our present reality, which is very much like the one pictured in the campy film, skewed through intentional interference by the Devil's agents. In their story, they had jumped ahead to the future, and while there in 2015, evil Biff trailed them and decided to exploit the opportunity presented him. He bought a sports almanac and gave it to himself in the past so he could use use it to gamble his way to riches. He "borrowed" their time machine without their knowing it to carry out his plan.

Not only must the damage be undone, steps have to be taken to assure that what happened won't happen again. Doc insists that the time machine has to be destroyed, but of course, it's not. In reality, the ability to further manipulate time will be denied the Devil. It is only then that he knows his time is truly short, as declared in Revelation 12:12.

Twelve is a primary time signaling number. When z=1, the values of the letters in the film title sum to a number that produces 13 in standard reduction. Signaling, the mastery of time. BACKTOTHEFUTURE = 229

What this film presents isn't an exact illustration of what's really going on in our world, but there does have to be a return to a key point in the past, which the Lord assures us will happen perfectly. This diagram is a better picture of our reality.


We are living in a time like no other. One day in the not too distant future, time itself will be reset into the past, so that this season on the calendar will be repeated. Time has already been influenced and we're on a timeline, so to speak, that needs fixing. It will be fixed.

I've written a little about Back to the Future on the blog already. Decoding Tudor Pelagos - An Enchantment Under the Sea

Also see this video for a view of another layer of esoteric embedding picturing the ancient Zeus v. Cronos conflict. BACK TO THE FUTURE [Secret Symbolism Myths & Archetypes]

Decoding Fandango as the Crossing of the Abyss


The popular website for movie tickets, trailers and reviews has an interesting logo. There's a white letter F for Fandango, but study it for a moment and you'll find another one hidden in the orange.

The double F makes sense when you identify the Occult symbolism. F is the 6th letter, and 66 is the number signaling the abyss. When the name appears next to the logo, the F of Fandango adds a third F and therefore a third 6 in series. 666. The number identified with the beast and his mark in Revelation 13:18.

Here's an excerpt from FreemanTV - Mark of the Beast.

“Qliphoth/Qlippoth Lit. "shells" (singular: qliphah). Shades of the dead whose names appear in the books of Dyzan or Thoth, or the Book of the Law (AL). They may contain formulae of magical powers. ...The Qliphoth are separation or "excrement" or negative representations of Divinity: Samael, Beelzbub, Lillith. In Kabbalistic magic, the Qliphoth are represented by the number 66 which in Hebrew would be VV; in English 66 is OX or FF. ”

FF. Fandango. There are other letter combinations and visual cues that may be signalling the Qliphoth and the abyss, like the common, “of,” and FX as in, special effects. The common pricing of merchandise at 99 cents does more than make the price seem lower. Flip it.

The logo is retro, picturing a traditional ticket used at movie theaters. Movie tickets are issued to those who use them to gain access to the theater, obviously. The generic labeling was, Admit One. Admit one to the darkened theater in a sea of people, to the abyss. This requires the assistance of those who can cross over, like Anubis, Hermes or Mercury. The psychopomp has access, the visa, the ticket to the abyss. You have to pay the ferryman.

“"Crossing the Abyss" is regarded as a perilous operation, and the most important work of the magician's career. Success confers graduation into the degree of Magister Templi, or "Master of the Temple."”

Abyss (Thelema) - Wikipedia

The Fandango logo ticket represents the ritual initiation of a magician, who seeks a ticket to cross the abyss. The logo's tilted F nested together with a hidden F presents a crossing metaphor.

Here, Taylor Swift presents the crossing of the abyss. Showing V or 6 on each hand, she crosses them in this image from her music video for the song, “22.”

The show, Fringe, was all about crossing over between space-time dimensions. The brand imagery for the Fringe Division in the alternate universe featured the mirrored F of the 66, the abyss.

The logo serves the Fandango name well. The word derives from the lyrics of a classic rock song from 1967, Procol Harum's “A Whiter Shade of Pale.” As the song begins, we hear, “We skipped the light fandango - Turned cartwheels cross the floor...” Turning cartwheels cross the floor presents OX or circle cross imagery. The rotations provide the circles. The body presents the X form, plus there's the cross of “cross the floor.” The move is called a cartwheel because it emulates a turning spoked wheel. Interpreted according to letter value, the X and O of the form present 6 (24 or 2+4) and 6 (15 or 1+5). 66. It's clever, very clever. The XO signals the mark of the beast and magically establishes of the celestial throne of the goddess as the god Nodens flashes lightning from the abyss. Fandango naturally imports that reference from the song lyric with their name, and by embedding the double F in their logo they signal us that this is done with knowledge and intent, and yet, this is far more than the sending of a signal. It's the evidence of magick ritual. Theurgy.

The ticket shape presents a square with cutouts of 2 half circles. It's a squared Circle, which you would make with a square and compass, of course. Ritual sodomy illumination. The song lyric referenced by Fandango will validate that reference, which I'll explain more about shortly.

The word, Fandango, has more notable history behind it, in the movie ticket website and in the Procol Harum song. Skipping the light fandango alludes to an expression that was made very popular in the 1890s, tripping the light fantastic. “This expression became popular from the American song "Sidewalks of New York" (melody and text by Charles B. Lawlor and James W. Blake) in 1894. Part of the chorus: "Boys and girls together, me and Mamie O'Rourke / Tripped the light fantastic / On the sidewalks of New York."” (Trip the light fantastic (phrase) - Wikipedia) It was popularly understood from the time of the gay 90s to indicate the gaiety of dancing, but the expression derives from the more more ancient past, from medieval times, and that's where more meaning is found.

To skip the light fandango and to trip the light fantastic means more than just to dance gaily about. The 17th century works of Shakespeare and Milton are referenced, and going back further to the 14th century, of Chaucer. The literature, which I'll touch upon shortly, is about the gods and goddesses, even those specifically of the underworld, in Pagan and Catholic (also Pagan) versions. The underworld is a lower realm also known as the abyss. The language and contexts from these sources behind, fandango, speak very loudly to me of stargate transiting, not of any natural form of dancing. Any dancing involved has to do with the spiral dance of the ancient and current goddess religions and the practice of witchcraft.


The language and contexts evoked by the word, fandango, speak of spells that evoke and engage demonic entities to deceive and to do the bidding of the magician. There is in this activity the celebration of the graduation of the magician in the crossing of the abyss. In the case of the lyrics of the ballad that names, fandango, that most definitely factors in as it's really about Illuminati programming, trauma-based mind control, the dissociation and installation of the Legion of demons brought about through ritual sodomy. Some would call it psychedelic, and while entheogens or hallucinogenic drugs are often used in such programming rituals, the song's significance should not be diminished by such dismissive labeling because it really is about more than a casual recreational experimentation.

Here's the lyrics of the most direct source of Fandango's brand identity. Procol Harum's, A Whiter Shade Of Pale.

We skipped the light fandango
Turned cartwheels cross the floor
I was feeling kinda seasick
But the crowd called out for more
The room was humming harder
As the ceiling flew away
When we called out for another drink
The waiter brought a tray

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, there is no reason
And the truth is plain to see.
But I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might have just as well've been closed

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

She said, I'm home on shore leave,
Though in truth we were at sea
So I took her by the looking glass
And forced her to agree
Saying, you must be the mermaid
Who took Neptune for a ride.
But she smiled at me so sadly
That my anger straightway died

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

If music be the food of love
Then laughter is it's queen
And likewise if behind is in front
Then dirt in truth is clean
My mouth by then like cardboard
Seemed to slip straight through my head
So we crash-dived straightway quickly
And attacked the ocean bed

[Chorus]
And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

Caveat: If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please consider moving on.

The opening line is making reference to the stargate transit and subsequent installation of the demons at the initiate's new birth into the illuminated state. That's the functional precursor to the mark of the beast transformation, a fuller merging of god and man that is not yet available. I've decoded many song lyrics on the blog in recent years, and this hugely popular theme has become very familiar to me. In the last verse, the kind of love named is not what is good and healthy but rather the kind of binding relationship that is created between the slave and their sodomite handler. (See Series Links: The Sodomite Gateway) Queen: The sodomized male used as a female. Dirt: Excrement. Mouth: Actually, the other end of the GI tract. Cardboard: corrugated, rough. To seem to slip straight through the head, the sensation of illumination. To crash-dive and attack the ocean bed. Bed, being bedded. Ocean, an abundance of fluid - semen and blood from the violent crashing together in the attack. The forced compliance of a slave is indicated in the third verse, where whoever she is is forced to agree with the view of reality that was presented to her about her location and identity. The looking glass or mirror is a very common meme in mind control programming, with the splitting of identities associated with pairs of alters.

If you think this isn't all about the practice of the Occult arts and witch-crafts that engage the demonic realm from the abyss, you must have missed the verse mentioning the singer's playing cards, where an obvious reference to cartomancy is made (divination with playing cards). The vestal virgins are the priestesses of the goddess of the hearth. Today, their service is dramatized in the lighting the Olympic flame at the temple of Hera on Mount Olympus. The goddess is also referenced as the mermaid who rides Neptune, aka Poseidon, the god of the deep, the abyss. References made to travel to and from the coast and the shore are to the borders of this space-time dimension.

Why would the movie site Fandango want to reference all this with their branding? Do you understand the nature of the industry? Mind control. Demonization. Trauma. The name, Hollywood, is revealing, which has long been the center of the industry. Traditional magic wands are made from holly wood.

From the lyrics of the popular tune of 1894, Sidewalks of New York, “tripped the light fantastic,” became a well worn phrase. Procol Harum derived from that, “We skipped the light fandango.” The first video for that song was shot in the ruins of Witley Court, near Great Whitley in Worcestershire, England. Witley Court was built in 1655 by Thomas Foley. The video establishes a connection with the ancient past. It's in the literature of that period and of three centuries earlier where we find the inspiration. We'll begin with the works of Milton on our way through Shakespeare to Chaucer. What we find on this journey sheds light on what is meant by the Procol Harum song that provides Fandango's identity.

From Milton's 1645 poem, L'Allegro:

Com, and trip it as ye go,
On the light fantastick toe.

The lines are in sequence numbers 33 and 34 of the lyric poem. Occult encrypting is far from new. It's an ancient practice. I call this an instance of Code 33. And about 34: 3+4= 7 and 3*4=12. The 7 and 12 are both time numbers, and this is about space-time domains. The 3 and 4 are also signal numbers for Osiris and Isis, which produce Horus. This is the essence of the magickal work of Fandango and the magician's grossing of the abyss.

Here's the first 40 lines. Don't be naive. This is not just a matter of poetic frivolity.

Hence loathèd Melancholy,
Of Cerberus, and blackest Midnight born,
In Stygian cave forlorn,
'Mongst horrid shapes, and shrieks, and sights unholy;
Find out some uncouth cell,
Where brooding Darkness spreads his jealous wings,
And the night-raven sings;
There under ebon shades, and low-brow'd rocks,
As ragged as thy locks,
In dark Cimmerian desert ever dwell.........................................10
But come thou goddess fair and free,
In heav'n yclep'd Euphrosyne,
And by men, heart-easing Mirth,
Whom lovely Venus at a birth
With two sister Graces more
To Ivy-crownèd Bacchus bore;
Or whether (as some sager sing)
The frolic wind that breathes the spring,
Zephyr, with Aurora playing,
As he met her once a-Maying,......................................................20
There on beds of violets blue,
And fresh-blown roses wash'd in dew,
Fill'd her with thee, a daughter fair,
So buxom, blithe, and debonair.
Haste thee nymph, and bring with thee
Jest and youthful Jollity,
Quips and cranks, and wanton wiles,
Nods, and becks, and Wreathèd smiles,
Such as hang on Hebe's cheek,
And love to live in dimple sleek;........................................................30
Sport that wrinkled Care derides,
And Laughter holding both his sides.
Come, and trip it as ye go
On the light fantastic toe,

And in thy right hand lead with thee,
The mountain-nymph, sweet Liberty;
And if I give thee honour due,
Mirth, admit me of thy crew
To live with her, and live with thee,
In unreprovèd pleasures free;......................................................40

Liberty is the goddess of a thousand names. Did the poet use the figure, personification? Obviously. It's just as obvious to those who are familiar with the way of Occult symbolism that it represents more than merely innocent entertainments. So, is the expression of lines 33 and 34 the picture of nimble dancing? Sure. Okay - but as I wrote earlier, the language and contexts from these sources behind, fandango, speak to me of a dancing across dimensional boundaries, of stargate transiting. To trip it as ye go on the light fantastic toe is to use Fandango's ticket to admit one in the crossing over in or out of the abyss.

Before penning that poem, John Milton recorded the following lines in 1634 (printed in 1637). From, A Mask Presented at Ludlow Castle, which is known as the masque, Comus.

Come, knit hands, and beat the ground,
In a light fantastic round.

Rhythmic drumming is very often used when spirits are being summoned and demonic energy is being raised for the casting of a spell. Here's those lines in context. There's nothing good or innocent here, in the derivation of Fandango.

Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,...........................................120
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
'Tis only daylight that makes sin,
Which these dun shades will ne'er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,..........................................130
That ne'er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat', and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,.....................................................140
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

Prior to that, Shakespeare (likely a front for Sir Francis Bacon and his guild) penned the following lines in, The Tempest, in 1610-11.

Before you can say come, and goe,
And breathe twice; and cry, so, so:
Each one tripping on his Toe,
Will be here with mop, and mowe.

There is no mention of the light fantastic. The lines are spoken by Arial upon being commissioned by Prospero on a mission to fetch an unsuspecting couple. Prospero was a sorcerer and Arial a sprite, a demonic entity, bound to do his bidding. The play furnished the theme for the Opening Ceremony of the 2012 London Olympics. You're familiar with what we've written about that, right? The ceremonial rituals of the 2012 Olympics had to do with the worship of the ancient gods, the casting of spells and the magickal manipulation of space-time.

Fandango clearly derives from Milton's 1645 poem, L'Allegro, through the similarity in the phrasing of Procol Harum's song. This connection is strengthened by the period of the setting used in their video. There is another literary reference made through Fandango. Here's the chorus of “A Whiter Shade of Pale.”

And so it was that later
As the miller told his tale
That her face, at first just ghostly,
Turned a whiter shade of pale

The Miller's Tale (1386-1390), is the second of the three tales in Geoffrey Chaucer's ribald classic, The Canterbury Tales. Compare these words of the character Absalom, the parish clerk, to those from Procol Harum.

And maken a chartre of lond or acquitaunce.
In twenty manere koude he trippe and daunce.....................................................220
After the scole of Oxenforde tho,
And with his legges casten to and fro,

There's no mention of the light fantastic, but here's a telling fact. Oxenforde is Oxford, and reference is made to the activity of the town or the university that was famed even so far back as Chaucer's day. Oxford, is known for the Occult signaling of the letter values of the name and for a connection with Isis. The River Isis becomes the Thames as it flows past Oxford. The name of the goddess is thus hidden there, occulted. The ox is identified with the goddess, like Hathor, one of the other identities of the goddess of a thousand names. The letters O, X and F each transform to the number 6 by adding the digits of their positions in the alphabet. OX-ford, you ford a stream when you cross through it. OX-ford ~ 66-ford ~ abyss-ford = crossing the abyss.

Recall the opening lines of Procol Harum's song.

We skipped the light fandango
Turned cartwheels cross the floor

Turning cartwheels cross the floor pictures the O and X like the OX of OXford. The XO is the symbol of the mark of the beast, like 666.

In twenty manere koude he trippe and daunce ~ We skipped the light fandango
After the scole of Oxenforde tho ~ Turned cartwheels cross the floor

As I wrap this up, I am convinced that what is meant by turning a whiter shade of pale has to do with illumination. A girl being traumatized would be quite pale. When the main objective of the ritual abuse and sodomy is obtained, dissociation occurs and subsequently illumination. A whiter shade of pale.

There's are two themes evident through the entire thread of this tracing of the history of the word, Fandango - nobility and the entertainments they sponsor that honors false gods. Chaucer's patrons were royal even King Richard II. The royals, monarchs. Monarch programming. Fandango supports the film industry, with celebrities treated like royalty and where Illuminati programmers, handlers and slaves are famously present. Wikipedia records the following about Milton's Comus, mentioned earlier. “Known colloquially as Comus, the mask's actual full title is A Mask presented at Ludlow Castle, 1634: on Michelmas night, before the right honorable, Iohn Earl of Bridgewater, Viscount Brackly, Lord President of Wales, and one of His Maiesties most honorable privie councill. An air of controversy surrounds this masque, as the Earl of Castlehaven, Bridgewater's brother-in-law, was the subject of a sordid sodomy and rape scandal for which he was executed. Some critics have conjectured that the masque, with its focus on chastity, was designed to "cleanse" the Egerton family.” That this kind of thing has only gained momentum is well documented.

In this strange season we're in, it's good to continue to be mindful of the nature of this world and age, which is surely passing away.