Saturday, September 03, 2011

Part 9 - Rango - What Hell Raised Up, Blending Species and Cannibalism

In Part 8 of this series on Rango as Antichrist the plot to hybridize mankind was featured. This movie is one in a long line of examples where Hollywood spills the beans about the god served by the industry and his plans for our future. One of Rango's lines is point blank: "You might say I'm what Hell has already raised up." I won't disagree. In this post I'll introduce more genetic transformation signs plus a few supporting elements, including references to the Watcher angel-human hybrid nephilim giants and to the cannibalism that characterizes their behavior.

Here's some dialogue from the movie, an exchange that takes place in the saloon.

Rango: I'm from the West, out there beyond the horizon, past the sunset. The far west. Yeah that's right, hombre. The place I come from we'd kill a man before breakfast just to work up an appetite, then we salt him and we pepper him, then we braise him in clarified butter - and then we'd eat him.
Jedidiah: You'd eat him?
Rango: That's what I said! Hell I seen things make a grown man lose control of his glandular function. You spend three days in a horse carcase living off your own juices. It'll change a man. Oh yeah. So, my hirsute little rodent friend. I am not from around these parts. You might say I'm from everywhere there's trouble brewin' and Hell waitin' to be raised. You might say I'm what Hell has already raised up. Name's . . . Rango!


The Rango character represents one that Hell has already raised up, and is returning. You may recognize this as a reference to the one popularly worshiped as Horus or Apollo. He's coming back as the Beast, the lawless one. Trouble is brewing and Hell is waiting to be raised, with further reference to the long anticipated release of those who have been bound in the earth for 70 generations, those specifically responsible for the flood of Noah's day.

In that scene, the chameleon reveals two key themes, cannibalism and DNA transformation. I'll return to explain this scene but before I do, here's a few others of like kind.

Here, Rango is addressing a discouraged near-vigilante mob.

Rango: But without law and order. Ruminate on that. Oh Yeah. Starts out slow, like a fungus. Somebody says a cross word. Accusations start flying. Neighbor turns on neighbor. Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations.

"Eatin' our children." HELLO! Of all the ways to express going over those things in the mind, the word used, ruminate, is one that introduces the eating of food. It means "to chew again what has been chewed slightly and swallowed, as to chew the cud." Again, cannibalism and DNA transformation. I'll return to explain this, too. Rango's comedic non sequitur lines are not at all random or absurd when you perceive the underlying themes, and far from funny!

Consider the following scene's dialogue, which takes place around a campfire.

Waffles: Marshmallows remind me of goin' campin' with my daddy. I could eat 'em all night long. Of course, he did make me cough 'em back up again for breakfast.
Buford: This one time, I coughed up an entire dalmatian.
Elgin: That ain't nothin'. I coughed up a whole tribe of Pygmies. They started lookin' at me weird.
Furgus: I remember them. They was quite friendly.
Spoons: I found a human spinal column in my fecal matter once.
Sergeant Turley: You might wanna get that looked at.


A human spinal column in one's fecal matter gets there only by having eaten a human. These campfire boasts are testimonies of eating people. Pygmies are people. The Congo Pygmies have been popularly reported as being preyed upon by neighboring cannibals, and any reference to Pygmies brings that association to mind for many of us. When a critter named Spoons talks about eating, since that's what spoons are for, we should pay close attention. Especially when the conversation is started by Waffles. This brings a distinct focus of attention upon eating people, cannibalism.

You might think what's in view here isn't really cannibalism because these animated characters are just animals but, no, they're really not. They're like animals but they talk and act like humans. Are they humanized animals, or, are they "animalized" humans? Here's something to consider: They are blends, hybrids, beasts!

We have all become very familiar with animated movies, cartoons, comics and literature where animals act like humans. We might be tempted to dismiss this as meaningless anthropomorphism but, should we? This blending has intent behind it, truly sinister intent. If the pervasive witness of movies and logos and literature and music was not so obviously demonstrating that we are being preyed upon and targeted for conversion into beasts, I would be eager to dismiss such anthropomorphism as harmless, but I know too much. There is the most devious design behind it and Rango is a prime example of the result of it, illustrated by seeing these critters in this context as hybrid beasts.

You may recall from some blogging I did a while back (Part 9 - Rochester, NY and the gateway to High Falls) that six Nephilim were pictured from an exhibit called The Council in an airport terminal roundabout. Read what is engraved in the marble ledge and give some thought to the subtle intent behind the blending and connecting of humans and animals there, in literature and with imagery.

This matter of animal-human blending has been embedded deep in our consciousness, referencing the blended gods of the past and moving us towards uniting with the gods, blending with them. The intent really is to bring us to accept the Beast and subsequently the mark of the Beast.

Now, there's another reference to cannibalism I noted in that Rango was pictured in the vending machine inside a package of candy. Candy is for eating, and on the bottom of the box of red licorice that signals human DNA we read: "It's a circus in your mouth." A three ring (triple helix) circus perhaps, with human and animal performers?

The fallen angels, their Nephilim offspring, the Canaanites and those who worship the ancient gods were and are cannibals, eating human flesh and that of their own kind. As presented in Who is Cain's Father? Part Three, the practice will continue until the curse pronounced upon the serpent in, "Dust you will eat," is fulfilled - and Adam is dust. (Genesis 3:14,19)

This practice has not faded into history - far from it! Yet, Rango's references really highlight not so much what has been as what's soon to come. The practice feeds Satan's blood lust. If you're not already educated about the matter of cannibalism, here's a few links for further study.

British royalty dined on human flesh (but don't worry it was 300 years ago) (Daily Mail - 5/21/11) Bob's note: Actually, there's no evidence to suggest there has been a discontinuation of such practices.

Results of search for cannibalism on SteveQuayle.com

Genesis 6 Giants (Steve Quayle)

Here's an mp3 of Steve Quayle on the Omega Man Radio show (8/18/11) where he talks about a Zombie Apocalypse. I hope to explain more about my take on this matter in the near future, but the books and movies that have made zombies and the idea of a zombie apocalypse familiar are not without a basis in truth. A zombie eats flesh, so there's the cannibal connection. Two other features are that they are undead and mind controlled slaves, an apt description of those who will take the mark of the Beast.

Let's revisit those scenes where cannibalism was addressed to focus on the genetic transformation aspect.

Rango: The place I come from we'd kill a man before breakfast just to work up an appetite, then we salt him and we pepper him, then we braise him in clarified butter - and then we'd eat him.
Jedidiah: You'd eat him?
Rango: That's what I said! Hell I seen things make a grown man lose control of his glandular function. You spend three days in a horse carcase living off your own juices. It'll change a man. Oh yeah.


"It'll change a man." Into what? Into a cannibal. This change, reading the clue relates to losing control of glandular function. Notice, this is not about bladder control because the urinary bladder is not a gland. If a man's not in control of his glandular function, who is? "Horse" is a near homonym to "Horus." A carcase is a dead body. Three days is a resurrection number, referencing a new kind of life beyond the mortal life in this flesh. Is this plain enough?

Rango is identifying himself with the Lord Jesus Christ, who laid in the tomb, dead, and was raised to new life on the third day. Rango represents the counterfeit, the Antichrist Beast. He's also referencing the gods of old and those of the serpent's seed who feast on the flesh of man and beast. He's alluding to those who will be brought forth after his kind, changed through glandular function not of their own or former control.

Here's the other scene I wanted to elaborate upon.

Rango: But without law and order. Ruminate on that. Oh Yeah. Starts out slow, like a fungus. Somebody says a cross word. Accusations start flying. Neighbor turns on neighbor. Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations. So, you want something to believe in Spoons. Believe in me. Believe in that there sign. For as long as it hangs there we got hope.

Rango says "Pretty soon, we're eatin' our children and then dogs and cats are getting together to create all sorts of unnatural mutant aberrations." I believe people will be eating their children because they will be starved on purpose, and I am further convinced it will be because that's what zombies do, what those of serpent-kind have been declared must do since the cursing in the Garden of Eden. I believe, like Rango said, pretty soon there will be a getting together to create all sorts of unnatural mutant aberrations, but it won't be dogs and cats. I believe the species blending is going to be in accordance with the other witnesses in Rango and so many other media. I believe converting Adamic man into an unnatural mutant aberration is the main part of Satan's plan. I read it in the Bible. I see it everywhere I look. "It starts out slow, like a fungus," Rango says. "Pretty soon."

I'll close with some commentary about two images that appear in the scene above.

Rango says, "So, you want something to believe in Spoons. Believe in me." The scene cuts to show this pitchfork next to a blazing torch against a fiery red sky. Isn't this the classic devil's pitchfork and fiery Hell imagery? How is that subtle?

Then Rango points and says, "Believe in that there sign. For as long as it hangs there we got hope." Here's the sign, with a pentacle on top. Star = Angel

The Pentacle under the arch represents sorcery bringing the Fallen Angel and through the portal into this realm.

That's not what and who my hope is in! More to follow - Lord willing!

Some items of interest:

Excerpts from Raw Meet: Fred Ritchin Redefines Digital Photography (Wired Magazine - Raw File - 9/3/11)

"Fred Ritchin says that we are obsessed with ourselves and images of the unreal. That we are escaping from very real photos of destruction into visions of idyllic fantasies, and that this escapism is being branded by governments and corporations for their own ends. We are being sold products and social scenarios that appeal to our fantasies but ultimately fail us."

"In his books ... he has argued that images today are manipulable and as such are political territories for governments and corporations."


BBC to bring 2012 London Olympics into the third dimension - "The network will also try out an experimental post-HD technology for the big event"

3 comments:

  1. You weren't kidding when you said this animated feature was loaded. You mentioned a conversation between "Spoons" and "Waffles", which you rightly paired with the context of eating in the conversation. Both "spooning" and "waffles" are also slang. Spooning is the act of two people laying down together facing the same direction, making a spoon shape. I won't go into how lewd a waffle is. In "I, Robot," the hero AI is named Sunny. Could have been more subtle. The hero human is named "Detective Spooner." That's a little more subtle, but we know what a code 33 looks like. Just thought I'd share that little bit.

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    1. Indeed - crude but that's what they do and who they are.

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  2. While I'm talking about I, Robot, I might as well mention an unrelated scene where "Sunny" breaks through a metal door labeled 18. Again, could have been more subtle

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